![]() In that same year, the Edison Disc Record came out. The Edison lab claimed a 3000+ playback quota for the Blue Amberol. The Blue Amberol records were much more durable than wax cylinders. The first release was number 1501, a performance of the Rossini‘s overture to his opera Semiramide, performed by the American Standard Orchestra. In November 1912, the new Blue Amberol Records, made out of a type of plastic similar to celluloid invented by Edison labs, were introduced for public sale. New machines were sold to play these records, as were attachments for modifying existing Edison phonographs. In 1908, Edison introduced a new line of cylinders (called “Amberols”) playing 4 rather than 2 minutes of music on the same sized record, achieved by shrinking the grooves and spacing them twice as close together. These new records were under the working title of “Edison Hi-Speed Extra Loud Moulded Records”, running at the speed of 160 RPM instead of the usual (ca. In 1902, Edison Records introduced Edison Gold Moulded Records, cylinder records of improved hard black wax, capable of being played hundreds of times before wearing out. Molded cylinders did not become a significant force in the marketplace until the end of the 1890s, which was when molding was slow and was used only to create pantograph masters. Most of the regional Edison distributors were able to fill the small early market for recordings by mechanical duplication of a few dozen cylinders at a time. To Edison’s disappointment the commercial potential of this process was not realized for some years. This was done by using very slightly tapered cylinders and molding in a material that contracted as it set. Mass producing cylinders at the Edison recording studio in New Jersey largely ended the local Edison retailers early practice of producing recordings in small numbers for regional markets, and helped concentrate the USA recording industry in the New York City – New Jersey area, already the headquarters of the nation’s Tin Pan Alley printed music industry.A notable technological triumph of the Edison Laboratories was devising a method to mass produce pre-recorded phonograph cylinders in molds. Mass-produced cylindersīefore using metal cylinders though Edison used paraffin paper. Edison also holds the achievement of being one of the first companies to record the first African-American quartet to record: the Unique Quartet. Edison Record’s brand of business phonograph was called The Ediphone see Phonograph cylinder and Dictaphone. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. One important early use, in line with the original term for a phonograph as a “talking machine”, was in business for recording dictation. Most phonographs had or could be fitted with attachments for the users to make their own recordings. “Electric Light Quadrille” by Issler’s Orchestra( external link) is an example of an 1889 brown wax cylinder (Superbatone #734–“The Real Sound of Ragtime”).īlank records were an important part of the business early on. The “brown wax” cylinder made its debut in March/April 1889. Experimental music records were made around this time. The following year, the Edison company debuted the Perfected Phonograph. Edison introduced wax cylinders 4 1⁄ 4 inches (11 cm) long, 2 1⁄ 4 inches (5.7 cm) in diameter, playing some 2 minutes of music or entertainment, which became the industry standard. In 1887 Edison Labs turned their attention back to improving the phonograph and the phonograph cylinder. Beginnings of the commercial record industry “Talking dolls” and “Talking clocks” were manufactured as expensive novelties using the early phonograph. Early machines were sold to entrepreneurs who made a living out of traveling around the country giving “phonograph concerts” and demonstrating the device for a fee at fairs. The earliest phonograph was something of a crude curiosity, although it was one that fascinated much of the public. After inventing and patenting the invention, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for a decade. ![]() Edison invented the phonograph, the first device for recording and playing back sound, in 1877. Early phonographs before commercial mass-produced records
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